supported by 5 fans who also own “Raa (Sara Ohm Looking Back) Die Fucker Die (BONUS TRACK)”
Listening to this album makes me want to share it with the entire apartment complex. Open the windows, crank the stereo to maximum volume, and give the entire neighborhood AURAL SALVATION BY FORCE! I would play this on repeat until everyone has lost their minds and become my slaves. This noise creeps, motherfuckers! You cannot resist! Sara will liberate you from your boring lives! dharmalogos
supported by 5 fans who also own “Raa (Sara Ohm Looking Back) Die Fucker Die (BONUS TRACK)”
What we have here is another collection of Sara's antifascist post-punk experimental noise. She is nothing if not consistent, but this album has the value of better production and a better mix. Everything here sounds much more clear than most of her other work. So if you think you might enjoy a combination of guitar noises, pulsating electronic circuits, and distorted screams about feminism and fascism, give Sara a listen. She is an artist I am always pleased to support. dharmalogos
supported by 4 fans who also own “Raa (Sara Ohm Looking Back) Die Fucker Die (BONUS TRACK)”
More Zazen Tapes noise that I don't know how to describe. Imagine a throbbing bass line played through a fan. Add a siren or alarm in the distance that creates an out-of-phase rhythm with the bass. Add lots of feedback, noises, and machines. Top it off with "vocals" that sound like newly-declassified recordings of NASA's missing ship of the damned. One of Zazen's most interesting releases yet. dharmalogos
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